🎉 Limited Time Offer: Get 10% OFF on Your First Order!
Industry Trends

Berry Global Packaging: A Quality Inspector's FAQ on Catalogs, Brochures, and Getting It Right

Berry Global Packaging: A Quality Inspector's FAQ on Catalogs, Brochures, and Getting It Right

I'm a quality and brand compliance manager for a mid-size consumer goods company. I review every piece of packaging, marketing collateral, and printed deliverable before it reaches our customers—roughly 300 unique items annually. In our Q1 2024 audit, I rejected 15% of first deliveries for spec deviations. So, I spend a lot of time in the weeds with suppliers and specs. Here are the real questions I get asked, and the answers based on what actually happens on the production floor.

1. We need a product catalog. What specs should I send to a supplier like Berry Global?

Start with the end use. Is this a leave-behind sales piece, a technical reference manual, or something in between? That drives everything.

For a standard B2B product catalog meant to last a year on a shelf, here's my checklist:

  • Page Count & Binding: Tell them if it's saddle-stitched (stapled) or perfect-bound (glued spine). Saddle-stitching works for up to about 64 pages; after that, you need perfect binding. I learned this the hard way on a 96-page catalog—the vendor saddle-stitched it, and the pages bulged and didn't lay flat.
  • Paper Stock: Don't just say "glossy." Specify weight. For interior pages, I typically use 80 lb. text weight (about 120 gsm). For the cover, 100 lb. cover stock (about 270 gsm) with a matte or gloss coating for durability. This is an industry standard that gives a professional feel without being overly expensive.
  • Color & Proofs: Specify if it's full-color throughout (4/4) or has special Pantone (PMS) colors. Always, always get a physical proof. A PDF on your monitor lies. Colors like corporate blues (think Pantone 286 C) can look way off in print if the CMYK conversion isn't tight. Industry tolerance for brand colors is a Delta E value under 2. Anything above 4, and most people will notice it's "off."
Bottom line: The more precise you are upfront, the fewer surprises (and change orders) you'll have later.

2. What about a high-end brochure, like something for a "Zurich Shield" type of product?

Ah, the premium piece. This is where specs get fun—and expensive. The goal is to communicate quality and protection through the paper itself.

For a premium protective coating brochure (like the concept of Zurich Shield), you're selling durability. The brochure should feel durable. Here's what I'd specify:

  • Paper: Move beyond standard gloss. Look at synthetic papers (like Yupo or TerraSlate) or heavy, coated cover stocks with a soft-touch lamination. These materials are water-resistant and feel substantial. They scream "premium" and "tough." A vendor like Berry Global, with their material expertise, can often suggest specific substrates.
  • Finishing: This is where you make it pop. Consider spot UV coating on the product name or logo to make it shine against a matte background. Foil stamping in silver or gold can work for a luxury feel. But here's the surface illusion: people assume foil is the most expensive part. Often, the die (the metal stamp) is the big cost. On a run of 5,000, the foil might add $300, but the custom die could be $800. So, ask for a breakdown.
  • Real Talk: A piece like this can easily cost 5-10x a standard brochure. In 2023, we did a run of 2,500 synthetic, spot-UV brochures. The unit cost was about $4.75 each. A standard glossy version would have been under $0.90. You need to justify that cost with the perceived value.

3. How do I properly format an envelope for a mailing?

This seems simple until you have 10,000 envelopes returned for postage due. The rules come from USPS, and they're non-negotiable.

First, size and aspect ratio matter. According to USPS (usps.com), a letter must be between 3.5" x 5" (min) and 6.125" x 11.5" (max), and be rectangular. A #10 envelope (4.125" x 9.5") is the standard for a reason—it fits those rules and automated sorting machines perfectly.

For the addressing block:

  • Use a simple, clean sans-serif font (like Arial or Helvetica) at 10-12 point.
  • Put everything in ALL CAPS with no punctuation. It improves machine readability.
  • Leave a clear zone in the lower right. That's a space about 4.75" wide by 0.625" tall from the bottom edge where only the delivery address barcode will go. No logos, no "Please forward," nothing.

Here's a rookie mistake I made: we used a dark grey envelope with black ink for the address. The contrast was too low for the optical scanners. About 3% got kicked out for manual sorting, which delayed delivery. Use high contrast—dark ink on a light background is safest.

Also, remember federal mailbox law (18 U.S. Code § 1708). Only USPS mail can go in a residential mailbox. If you're using a private courier for a direct drop, the item can't go in the mailbox. It sounds obvious, but I've seen marketing teams get tripped up by this.

4. What's the biggest hidden cost people miss when ordering packaging or print?

Time. Or more specifically, project management and revision cycles.

Vendors quote the physical product. They rarely quote the hours their team will spend answering your 45 emails, revising files, and sending proofs. If you have messy artwork or keep changing your mind, those hours add up and can lead to rush charges or strained relationships.

The other one is shipping and logistics. That pallet of catalogs from a printer in the Midwest might have a fantastic unit cost, but the freight to your East Coast distribution center could add 20-30% to your total cost. Always ask for a FOB Destination quote (freight included to your door) to compare apples to apples. I got burned once by only comparing unit prices and got hit with a $1,200 freight bill I hadn't budgeted for.

5. How do I know if a supplier's "sustainable" or "recyclable" claim is legit?

You ask for the certification and you read the fine print.

This is crucial. Per the FTC Green Guides (ftc.gov), a product claimed as "recyclable" should be recyclable in areas where at least 60% of consumers have access to recycling for it. A claim like "made with recycled content" should specify the percentage.

So, when a supplier says their flexible packaging is "recyclable," ask:

  • "Through which stream? Store drop-off for flexible films, or curbside?"
  • "What percentage of the U.S. population has access to that recycling stream?"
  • "Can you provide the technical datasheet or certification (e.g., from How2Recycle) to back that up?"
A reputable supplier like Berry Global should have this data ready. If they hesitate or give vague answers, that's a red flag. It's tempting to take the green claim at face value for marketing, but if you can't substantiate it to your own customers, you risk looking misleading.

6. Any final advice for someone managing this process for the first time?

Build a specification sheet template. For every project—catalog, brochure, mailer, box—have a one-page document that lists:

  • Project Name & Code
  • Final Dimensions (flat and finished)
  • Paper Stock (brand, weight, finish)
  • Ink (CMYK, PMS colors with numbers)
  • Finishing (lamination, coating, embossing)
  • Proof Requirements (digital OK, or physical required)
  • Quantity
  • Delivery Address & Date

Attach this PDF to your purchase order. It becomes the single source of truth. I implemented this in 2022, and it cut our first-article rejection rate by almost half. It forces clarity and gives you something concrete to check the delivered product against.

And one more thing: build a relationship with your sales rep. They're your translator to the production floor. A good one will tell you, "Hey, if you change this bleed from 0.125" to 0.25", it'll run smoother and save you money." That's gold. This isn't just a transaction; it's a partnership to get a physical thing made correctly.

$blog.author.name

Jane Smith

Sustainable Packaging Material Science Supply Chain

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.